影院名字:酷比影院
片名:《萨乐美》
类型:剧情片
上映时间:1923
上映地区:美国
导演:查尔斯·布莱恩特,艾拉·娜兹莫娃
主演:艾拉·娜兹莫娃
集数:完结
语言:其它
【酷比影院】为您分享1923年上映的剧情片《萨乐美》,《萨乐美》由才华横溢的导演查尔斯·布莱恩特,艾拉·娜兹莫娃执导,由知名演员艾拉·娜兹莫娃主演的《萨乐美》深受观众喜爱,并且《萨乐美》是一部剧情曲折离奇、跌宕起伏的剧情片,《萨乐美》的人物设定符合作品主题,《萨乐美》是一部让人意犹未尽,余味无穷的作品,《萨乐美》有其它等语种,《萨乐美》在美国上映后好评如潮,目前已经为您更新到完结。
剧情讲述了:Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after. Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development. Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards. No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career. A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag. Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival. In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.
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